Showing posts with label adam robinson. Show all posts
Showing posts with label adam robinson. Show all posts

Monday, February 23, 2009

Gotdamn, Ho

Weekend in Baltimore = rad, life is tired in mind and yet full full of the eat. Reading was super packed and pleasantly hung with blocks of black, I like how Michael Kimball hosts an event, I like how he talks and thinks and is nice, I like Michael Kimball's house, in the house I had very violent dreams again, I am beginning to only have very violent dreams, this is likely as I have not spat out new words since a couple days before Chicago, I have drank / ate bad food more in past two weekends than in a lot of other time combined, which is the rope the child ate to hang himself with to get into the hidden layer of Metal Gear Solid 9, if there is a 9th edition, which if there isn't yet, this blog takes place in the future.

Someone should make a documentary following drunk Adam Robinson: I may need him on my rap record. Justin Sirois is really nice, like a nice guy you want to see around, and funny. Kyle Minor is really nice and his reading reminded me slightly of McCarthy, I like anytime anyone says 'Kentucky' in a story and means it in reference to getting beat, his book 'In the Devil's Territory' is now on my buy list. I liked Kathleen Rooney's reading about being a craiglist nude model for $$, it made me want to be pleased, and be pleased, i want that book too, i think it made me want to write nonfiction more too


books




I think when I am reading out loud to people i start to have dinner inside my body and my body keeps talking while I am having the dinner: I liked hanging out with Shane Jones again, this time more than in Chicago thankfully, and Molly, Adam, Michael, Justin, whatever things inside me i was killing that second night drunk out of mind in which I probably ingested 3000 calories of pizza and chicken before pouring water on Adam while the pizza workers looked pissed and I shouted about dick, this is all on tape somewhere, Adam did a poem called I think 'Steve Reich meets a preacher' that I want to watch in 100 boxes again




At one point drunk shouting I demanded there has never been a Southern writer, that there are only 4 Southern states and no Faulkner is not a Southern writer, O'Connor isn't, Barry Hannah is more than a lot of people but not, other things

Gas stations in the South are Southern writers but Padgett Powell isn't, Cormac McCarthy isn't

the south gets confused a lot by people, I need to do more thinking about this, I think the South exists sometimes but not where it is is is

I am not a Southern writer, because where I sit most times isn't an existenereaer

but I am more a Southern writer than Faulkner, promise

to the extent that I am a writer at all, which I think is not at all

I like candy




books books books
people people
words talking words books eating
candy





I had several experiences in Wendy's's during the drive up to and down from Balitmore, if there weren't already a book about Wendy's I would write it, I am sad there is in the same way I was sad when Steve Almond beat me to writing a candy memoir even though I still could write a candy memoir






I am going to try to not move at all during the 10 days until NYC / Providence / Northampton so that I will still be able to talk by then, not that I need to talk or want to or will or am worth talking to, the best thing I can do is fall on concrete attached to Adam Robinson's back and make guffaw sounds and feel dumb





The arms of my sofa are tired of me stacking new books on them but I still like it

TIRED SOFA
TIRED SOFA



Jamie Iredell on EVER:

This is a book about insides. With a daring syntax reminiscent of an unfettered Kerouac, a Visions of Cody Kerouac, Butler details the interior of a woman's mind, her house, her perceptions of her neighbors, the inside of light. If you looked up "nuance" in the dictionary in 2010, the entry would contain the full-text of Ever. Subtlety is the game here--potentially surprising to those familiar with Butler's baby-themed stories. The text is set off by architecturally-fascinating pieces by Calamari Press frontman Derek White. Without drawing away from the story, the images move the eye, like light, like a woman and her bathtub titties. At the end of this one, just like the narrator, you'll experience a "slow baptism," the insides of your insides on the outs.




I have a thing in the new issue of Bateau, its a really old piece but i still like it, the issue is beautiful and has been upgraded to perfectbound, it has Kim Chinquee, J.P. Dancing Bear, Jen Pieroni, Pedro Ponce, Sarah Sloat, a lot of other peoples, it is nice






everyone is really nice, its impressive, i like it

i am ready to type the least words I've ever typed

and make a bungee baby out of liquid syrup

on the way home from Balitmore I listened to Young Jeezy's 'Thug Motivation 101' four times straight through

I also listened to the audio book of Scott Smith's The Ruins, which is maybe the dumbest book of all time, even for a book, except for when the girl gives the dude a handjob in his sleep because she is scared of the plant that is going to eat them

I also listened to Pimp C and Liars and Agoraphobic Nosebleed

I want some more Wendy's

Monday, February 2, 2009

OOOO O OO OOOO O OO O OOOOOOOOO O OOO O O O OOOOOOOOOO O O OOOOOO OOOOOOOO OOOOOOO

Two more responses to EVER:

Johannes Goransson @ Exoskeleton: 'What makes this novel very interesting in this context is that it seems to be written from the other direction - not a murder mystery that loses its narrative, but a narrative-less cinematic body-fantasia in search of a narrative.'

Brandon Hobson @ Clusterflock: 'The music somehow made me want to lie down on the floor and sliver. I’m not sure why. When I told my wife this she asked if I’d taken my medication (which I had).'

Two Lynch references in two reviews = I am happy child.







Dang, Adam Robinson kills it here. I am really excited about his forthcoming book, brilliantly titled ADAM ROBISON.


Kind of flabbergastingly awesome post by Dennis Cooper on board games and writing


I also really like this recipe on Elimae by Nathan Neely







I just got Shane Jones's LIGHT BOXES in the mail. It is beautiful. You should order it. I am really excited to read it again in its final form. Since I preordered, mine came with a copy of Shane's MLP chapbook 'Black Kids in Lemon Trees,' which I already have as an MLP subscriber. Forward me a receipt for ordering the book from today or later and I will give you my second copy of it.






Brian Evenson's LAST DAYS is out now from Underland Press. I will be posting a full review of this probably later this week, but as anyone who has touched Evenson's ink likely already knows: this is a book for owning, reading, rereading, eating, touching. I can't think of an author who has influenced me more, honestly. I recommend this book as highly as any other book he has written: they are all vital.

Last night I read his story 'The Adjudicator' in the new issue of Conjunctions about a hairless man living in a house after a great conflagration, who is then asked to 'adjudicate' a man who looks, he believes, exactly like him. Evenson's corridors of narrative, always as if chiseled out of something that has existed forever, somehow seem both speaking to you and speaking secondly inside you at the same time, each saying slightly different things that then interweave in your brain meat and then, in the collision, form the narrative. How Evenson is able to portray such complex moods in lines that seem so simple, and yet so timelessly phrased, in their pronunciation, is one of the great many magicks he possesses.






This Friday, doing a small pre-NYC-book-release-party book release party in Atlanta. Friday 8:30 @ Kavarna in Decatur. My boy Jamie Iredell is on the mic, as are a couple bands. I don't think more than a couple Atlantans read this blog, but oh well, it's a mention.






I watched Roy Andersson's YOU THE LIVING the other night. I didn't love it as much as SONGS FROM THE SECOND FLOOR, which is one of my all time favorites, though it was not too far behind, and almost like a sequel.

I love the use of the swastikas on the table after the cloth is removed in this scene, a perfect encryption that somehow gave me goosebumps when I noticed, even despite the laughter:








I kind of am enjoying this year thoroughly thus far.


"19: OS OS OS IS SI, Day of Speak Only in Hymn, for yes, the song is joyous, and in our zoning we yes do indeed enjoy the song."

Thursday, August 7, 2008

Engorged Sinus of the Bird Hormone

I got a rejection today from New Ohio Review, for my story THE DISAPPEARED, which appears in their current issue. That's kind of new. The editorial culling process employed by these bigger magazines is really confusing, so it probably confuses them too. I know the editor from the first 3 issues who had accepted and published the story just got yanked for reasons I am unsure of. Still, I want to send them a copy of their own magazine back with my story in it and the rejection slip attached, and a rejection of their rejection.

Rejection letters now just make me smile, if anything, I have no feelings anymore, the work is what the work is, in fact I think I get more kicks out of rejections than I do acceptances somehow, is that weird?

Shane Jones had some extremely nice things to say about my forthcoming novella EVER... to be mentioned in the same breath as Unguentine, Motorman and the Singing Fish is beyond...

No Colony went off to printers today. I feel like we shat a baby, Ken and I. Looks like we'll be having a couple of launch parties in the next few weeks or month, one in NYC and maybe west coast and/or Atlanta. More on that soon.

Luna Park Review called NO COLONY "2008's most talked most about and most feared new lit mag."

Whatchu know about dat?



Atlanta/Brooklyn based magazine THE OPEN FACE SANDWICH just took one of the last unpublished stories in Scorch Atlas. Their first issue looks really nice and has work by Deb Olin Unferth, Ariana Reines, etc. People should buy issues and send to them, they read quickly and have a good style, aesthetic.

I am going to post a list of the small presses I found when subbing my longer books recently, ones that are open and accessible seeming. This is a note to self to remember to do this.



The 4th issue of Keyhole Magazine is now for presale and it looks amazing. Keyhole just keeps getting better and better, I can't wait to see this issue. It includes new work by Kevin Wilson, whose story from 2006 in Diagram fucking rules: THE DEAD SISTER HANDBOOK, as well as friends Jason Jordan, T.J. Forrester, more.

Adam Robinson continues to be one of the most entertaining people on the lit web, profiling/interviewing some bitchass kid named Zach

Thanks to everyone so far who has had kind words, posts, etc., about LILY HOANG's THE WOMAN DOWN THE HALL, I hope people keep reading it, the story is designed that each page stands apart and they weave together, so reading in splashes is encouraged. It's hard to read long online, so the book will be there for you, gobbbless the interslice. Please more share!

I can't believe I missed these guys in Atlanta this year:



Atlanta.

Sigh.