Showing posts with label preorder. Show all posts
Showing posts with label preorder. Show all posts

Tuesday, November 4, 2008

6 things + Answers to Your Google Q's (5): EMOTIONAL VEGINA

* You can now preorder my ML Press chapbook IN THE RAPE YEAR OF THE GHETTO TODDLER THE HOUSES WILL AWAKEN, it is $2, there are only 25-50 copies to be sold, there are also new ones from Nick Antosca and Brandi Wells for preorder, I have bought all of them so far, as well there are just-announced forthcoming ones from Sam Pink, Michael Kimball, Norman Lock, and James Chapman. FUCK YES.

* Publishers Weekly discusses Featherproof Books design sense & mentions SCORCH ATLAS

* Massive congrats to new 'label mate' AMELIA GRAY, whose collection of short-short fiction AM/PM has also just been announced for release by Featherproof next year. Amelia is insanely good, I am happy to be in the year of the year with her. If you do not know her work yet, read this ('There Will Be Sense' on Diagram), you will know why AM/PM is exciting as hell.

* 'Rung' 'violent' 'bleak' 'rough' excerpt on Underland Press site

* Why does, when I put on deodorant in the morning, then later in the day go running, then bathe, it hurt to put on a second layer of deodorant? It's like something is ripping out my skin.

* When Agent Cooper comes to find 'Let's Rock' written in cursive on the windshield of the car with the camera shot looking out from inside the car is maybe my favorite part of FIRE WALK WITH ME, I don't know why










* Finally, maybe my favorite Google Q yet (for which I am the 5th result):

(from Bedminster, New Jersey 9/4/08 7:07 PM)

Q: what is the right part of vegina to play to make woman emotional

A: VEGINA PLAY PERFECT PRESENTATION CHECKLIST IN 8 STEPS (must be followed in order, no subs, no skipping)

(1) Clear spit valve in woman, flooding into paper sac to be fed to brown dog on sixth day after vegina play is complete

(2) Wax woman's groove folds with CURPSIS (C) Brand bronze shiner, insert her legs into the rain compiler in which you have allowed eight weeks of rainfall to accumulate (no snow)

(3) Arrange CANNIBAL CORPSE's 'Tomb of the Mutilated' LP on verified 'crodbench' controller, extend volume to high setting (nosebleed recommended)

(4) With six conch shells purchased from the online or recent family vacation, prepare hexagramic aura containment by positioning the shells at the 6 major invocation points

(5) Wear a broach with mother's surname pinned through your navel to her navel, laugh some, share your breath with where hers goes in

(6) Feed with one hand the #1 value meal from BK while feeding the woman the #2 value meal from BK no sauce

(7) The woman's eyes will well with drapery in the flood zone moment, at which point evacuate, seal room, hide eyes, call dad, say 'Hello father, I am apologize for all I have not been to you as a son and as a human I never should have been made'

(8) Reenter floodzone once wall is no longer shaking, say your father's name into the woman's ear, enter the ear inside the ear *VOILA*

Saturday, October 13, 2007

Journal Preorders

You can now preorder copies of the following journals being released in the next 4 weeks that I have work in by clicking on the following links:


Caketrain #5: containing my short fiction pieces 'Hive' and 'Anniversary' as well as work by Shya Scanlon, Myfanwy Collins, Lisa Jarnot, Alan Deniro, James Wagner, Andrea Fitzpatrick, Peter Markus and hordes of others


NANO Fiction v1 #2: containing my short piece 'The Way the Ruin Came,' as well as work by Josh Maday, Brandon Scott Gorrell and many others


Quick Fiction #12: containing my short piece 'Gravel' as well as work by Chris Bachelder, Girjia Tropp, Kim Chinquee, Seth Fried, Cami Park, B.J. Hollars and many others

Thank you in advance for supporting these excellent magazines.

All of these pieces are from a collection that hopefully will work as a novel in stories that I am currently busting my ass on. These four are the shortest ones. Right now there are I think 20 stories in the book. I am working to write more to lace them together. Instead I keep writing new things and thus end up with more to lace. By the time I am done I will either have something wild and amorphous or something very very long. I wonder which I think is better.